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oh boy what a year

25 Dec

Best of 2009? Well if you’re anything like me, you’re so far out of the proverbial loop that you can barely name a dozen albums that came out this past year, let alone come up with a top 10 of 2009. Heck, NME’s list of the best 50 and Popmatter’s list of the best 60 albums of 2009 contain a combined total of three records I willingly cracked an ear to this year, and even those (if you’re wondering it was MASTODON, BATS FOR LASHES, and FLORENCE AND THE MACHINE) barely got a full listen.

So what did? Well, I-Tunes stats tell me it was HONK’s 1973 softrock cut “Don’t Let Your Love Stand” that got the most spins in this household over the past year; I have only ex-MECHANIC Dennis Catron to thank/blame for that. But there was a bunch of stuff that actually saw release in 2009 that I also listened to alot, stuff I haven’t yet paid tribute to here at PS RECON. And this post aims to round up that lot, stuff that made this tough year a bit easier to swallow. The envelopes please . . .

1. Most Godlike UK Single of 2009: WOLF PEOPLE Tiny Circles/Mercy II 45 (Battered Ornaments Records) Jawdroppingly great, darkly glistening psych by a young band that keeps getting more challenging and nimble with their every jazzbluesprog twist n turn. This recording marks the end of flautist Ross Harris’ tenure with the band; for most of this year, they’ve been trimmed down to a 4 piece. But fear not: live, they’ve been absolutely shredding stages around town with TELEVISIONesque twin gtr prowess ever since. Their newest songs emphasize all manner of melodic, rhythmic, and compositional intricacies that promise WOLF PEOPLE will be the UK rock force of the coming decade. Get a seat on board their train while tickets are plentiful.

2. Best SST-Related Release of 2009: THE NICHE MAKERS Soul Sealed The Deal LP (Ten Rounds Publishing) Trippy new musical projects by Raymond Pettibon are a cause for great excitement around here. His cryptic lyrics are a kind of sound poetry: cliches and truisms are deformed, devolved and reconnected in oddly intuitive ways, leaving literal meaning to wallow in the dust of free association and lolling wordplay. The squeezebox-led folkies behind him play it sympathetic and warm, but are ultimately secondary to Ray’s very personal verbage. Anyone following this man’s musical development will note this is as fucked up and peculiar as his work with SUPER SESSION, SUR DRONE, and more recently with THE UNKNOWN INSTRUCTORS. Oh and the color LP cover is a beautiful mystery to behold.

3. Best Maryland Doom Release of 2009: IRON MAN I Have Returned CD (Shadow Kingdom) – Yes, WINO’s solo CD was biker strong, AGAINST NATURE’s most recent conjured up beautiful Italian soundtrack goblins, and REVELATION just put out a real powerful album last month. But recently Al Norris III (aka “The Black Tony Iommi”) pulled together a superior IRON MAN line up and bested them all with this great hard rock platter. The new singer has a croon that kinda/sorta reminds me of Merrill Ward during his SWA days, the songs are focused in a way the recent SHRINE BUILDERS CD wasn’t, and Al’s crunchy, string-bending rhythm gtr spew is totally captivating from alpha to omega and back again. Man, I hope these balding guys tour.

4. Biggest Scandinavian Mindblower of 2009: MOTORPSYCHO Child Of The Future LP (Rune Grammofon) Continues the overdriven psych rock of their last CD, but somehow the lead gtr is even more explosive and searching this time around (no mean feat, that). Nigel Cross rightly identifies an exploratory, late 60’s West Coast influence at work, but the raging hypomania that fuels this ain’t retro at all – the sound here has everything to do with The Here And Now. Like THE NICHEMAKERS you’re gonna haveta dig out your turntable to hear it. But once you do, you’ll barely be able to catch your breath, let alone look back.

5. Biggest Scandinavian Bummer of 2009: SOUNDTRACK OF OUR LIVES Communion CD (Yep Roc Records) These guys used to be a major label fave of mine, and I admit I’d been looking forward to this for a long time. But oh man, what a particularly stinky, steaming pile of shit this one is. Anybody fancy some annoying, wanna-be OASIS schlock rock? Not me. Recycled ideas, worn out riffs, tired emotions . . . even the Arthur Lee “tribute” included herein is limp and hackneyed. I’m still trying to fathom where they found the energy to record a double record of such redundancy. This Communion is as stale as last year’s wafers buried deep in the cupboard.

6. Best Ex-Boy Band Member Release of 2009: DRACO ROSA Amor Vincit Omnia CD (Phantom Vox) I’ve given up arguing this guy’s virtues to my wife . . . suffice it to say you’re missing out on a gorgeous voice and some passionate performances if you’re scared off by his MENUDO affiliations. No brooding rock this time round ala his great Vagabundo rec; Draco’s squarely in his adult contempo latin-lover crooner mode, which will turn off a good 90% of you out of the box. But this guy and his session musicians got talent coming out their oídos. If I was a straight chick, no doubt my bedroom walls would be plastered with posters of this heartthrob. I hereby give you permission to swoon deeply.

7. Best UK Indie Rock Release of 2009: THE LIFTMEN The Liftmen CD (Twisted Nerve) Gal-led indie rock ain’t the first thing I reach for most days, but dammit if this CD ain’t getting me reconsider a whole pantload of unexamined musical prejudices. This Bristol band filters the joyous outsiderdom of early 80’s post punk (think FAMILY FODDER) through post-TORTOISE grooves to nice effect. The particulars they sing of (sickly newts, mushy peas, St. George tattoos) speak of that alienation which modern, low rent English life dredges up in all of us. But it’s main gtrist/songwriter, Neil Smith, who captures my attention the most. His inventive playing is oddly reminiscent of SLOVENLY’s Tom Watson, had Tom hailed from The West Country rather than The West Coast. The Twisted Nerve/Battered Ornaments label stable has given us real good ones – the CANisms of THE LAUGHING WINDOWS, the archaic lushness of BENEATH FIRE & SMOKE, and of course my faves WOLF PEOPLE – but THE LIFTMEN can hold their own admirably in this company.

8. Best Archival Release of 2009: LOVE Love Lost CD (Sundazed) If only miserable folkies like Richie Unterberger hadn’t highjacked Arthur Lee’s legacy, more people would be checking out the very substantial, soulful work he produced throughout the decade after Forever Changes. These unreleased Columbia tapes from ’71 be ample proof of that. This wasn’t intended to be a full album, but full it indeed feels – brimming with post Hendrix jams and succinct acoustic songs that are mind expanding but far more coherent than anyone ever wanted to believe this guy was capable of. If only all cracked geniuses had these kinda skeletons lurking unheard in their closets . . .

9/10. CD Reissue That Made Me Smile Widest of 2009: A tie, between the self-titled debuts from STRAY DOG (1973, Manticore; reissued by Esoteric/Cherry Red) and MORNING (1970, Vault; now on Wounded Bird). Both these recs have been constantly loved companions of mine since I was a young adult. Whether your bag is STRAY DOG’s crazed, over the top Texas bluesrock, or MORNING’s delicate, rural West Coast poprock, these albums are truly inspired, golden rays of musical sunshine. My bag has ample room for both. Here’s hoping new audiences will rediscover them once more.


Sweetpeas in my I-Pod

19 Mar

Too beat tonight for much except a little love for three records that are haunting my thoughts right now due to heavy rotation on my I-Pod. Always gotta give it up for the good folk, even when I ain’t got much to give.

ffh2FORMERLY FAT HARRYS/T (Capitol Records, 1972) – Retrospective collections by this ex-pat American led UK outfit are great and much easier to find (Goodbye For Good on Hux Records from 2007, or Mariachi Riff Live and Free Music on Shagrat Records from 2009), but their only contemporaneous release from back in the day still gets my vote as their very best. It’s their finest collection of sad-but-proud BYRDSian songs, the singing is DEAD sweet throughout, and the BAND-esque precision playing unparalleled. For all those who gotta endure insane amounts of stress/hassle during the 9 to 5 workaday. . . spinning this one upon returning home – as the sun sets and the anger abates and you sip a highball and start smiling at your cat doing donuts in the hallway – will calm you right the fuck down. Anyone who dismisses this quieter, rural end of early 70’s Brit rock (BRINSLEY SCHWARZ, QUIVER, EGGS OVER EASY…) you’re missing out bigtime. ripper

RIPPER – “And The Dead Shall Rise” (Iron Works, 1986) – Never figured the late 70’s “horror music” of DEATH SS would have inspired so many impressive, crypt-dwelling rockers. But along with PAUL CHAIN and THE JESTERS OF DESTINY, Houston’s RIPPER were some of the very best. Their metal bludgeon was 80’s simple but mighty loud and effective, especially given the presence of so many weird/idiosyncratic elements. Dig those John Carpenter-esque soundtrack interludes! Or the highly-strung Dinah Cancer-like banshee wail of Sadie Paine! And what of that drummer’s odd roto-tom fixation? This is some crazed shit, from beginning to end. But it’s Rob Graves (no relation to 45 GRAVE bassist) who steals the show with his camp but totally convincing performance as 17th-century vampire growler. God, if only every forgotten metal band was this inspired and pounding. Ray says their new comeback record – originally penned in ’87 as a sequel to this one – is just as good. I’m gonna believe him.

b000002e9501_sclzzzzzzz_ROBI DRACO ROSAVagabundo (Sony Latin, 1996) – Ex-MECHANIC Dennis Catron turned me on to this guy here, with the caveat “will be missed by millions of U.S. teens who can’t get past the fact the singer used to be in MENUDO.” Yep Robi co-wrote “Livin’ La Vida Loca” with Ricky Martin, but he also once led this mighty curious foray into brooding, mid-90’s session grunge. And this is one CD that actually hits the mark way more often than it irritates with any kinda corporate slickness. Parts of this sound like MANU CHAU covering the ALICE IN CHAINS songbook; others like NICK CAVE gone Tropicália. Me I like to think I’m listening to LENNY KRAVITZ after he’s suffered serious head trauma and started to believe he was P.J. HARVEY reborn as a Puerto Rican pop star. Don’t believe me? Take a look at this. Gotta credit Phil Manzanera who produced the heck out of this CD, and thank the cats from EDNASWAP(!) who all turn in great performances herein – but bow before Robi himself for the inspired material and soulful performances. Or just count your lucky stars that glistening little nuggets like this can still be dredged from the major label cesspools. Am I the last gringo to get wise to this classic of 90’s Rock En Español? Nope – that’d be you, hombre.